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snowce:

Blade Runner (1982)
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“In another painting, ‘La lunette d’approche’ (1963), Magritte directly addresses the view of art as a transparent ‘window on the world’: a window frames the view of a clouded skyscape, but part of the window opens to reveal a black void beyond. The represented ‘world’ does not exist except as a function of the window; it comes into being through the act of representation.”
—Wenche Ommundsen, Metafictions?
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"Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them." - Brian Eno, A Year With Swollen Appendices (via desertofsnow)

(Source: imathers)




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"…everybody is identical in their secret unspoken belief that way deep down they are different from everyone else." -

David Foster Wallace, Infinite Jest

via liquidnight (via frenchtwist)




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One day, quite some time ago, I happened on a photograph of Napoleon’s youngest brother, Jerome, taken in 1852. And I realized then, with an amazement I have not been able to lessen since: “I am looking at eyes that looked at the Emperor.” Sometimes I would mention this amazement, but since no one seemed to share it, nor even to understand it (life consists of these little touches of solitude), I forgot about it.
—Roland Barthes, Camera Lucida

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Timothy Rowan
install theme